McCabe and Ms. Miller:

The gender aspect of the movie: the reality of being a woman in the west The human subjectivity of the women The modern world unfolds both fulfills and undermine the genres: Western:

• the western hero
• the woman from the east
• the settlement of the town: establishment of the society; the founding of the city

The way the story unfolds: The wrong time: The intro music is from the current the clothing was also counterculture The development of the town is with the shooting process of the film The Ending: extinguishing the fire - The savior figure is wounded or dead, or leave the community The treatment of the relationship between McCabe and Ms.Miller; Proof of his masculinity She escapes to the opium The extinguishing the fire is like a slapstick comedy Historical dimensions: killer butler It satisfies the western ending The racial aspects: About Chinese The structure of the film: it is real, the coincidence and drift The barber: they are black, but aspiring to move up to the middle class

The arbitrariness of the plot and the fates of the characters - the drift of humans’ fates To the Lighthouse McCabe is a run through of the film Nashville the hint that he has the gun in his sleeve Allowing the actors to improvise “Give assignment to the actors and then get out of the way” Throwing away the scripts At the beginning of the shoot up, the town is shown The church is indifferent towards the community, but it then becomes the symbol of the community coming together The relationship between McCabe and Mrs. Miller Marriage Dworking’s Intercourse The classes are starting to emerge